Ticket 13: Dumb and Dumber

The Pitch: Dirty Rotten Scoundrels meets Two Wild and Crazy Guys.
Influence: Dumb and Dumberer, Tomcats, 
Price of Admission: $3.50
When: December 30th, 1994 at 1:45 pm
My Age: 13
Quote: No, it's a cardigan but thanks for asking. - Harry Dunne.

Hilarious and classic. And seen when on the cusp of turning 14. I didn't even know what cusp meant back then. But I did know that a cop drinking piss out of a beer bottle was funny as shit. 

One of the many laxative-spiking movies. Others on the list:
1) The 3 Ninjas
2) The Pope Of Greenwich Village
3) American Pie
4) To Be Updated as I remember more...

Synopsis: Harry and Lloyd are morons. Harry (Jim Carrey) intercepts a briefcase full of ransom money and gets Lloyd to help him to return it to Carrey's future wife/ex in Aspen. Becomes a road trip movie and then a love triangle movie. The kidnappers are after the naive duo. The FBI helps out even if they put Carrey's kevlar-less face in danger.

Ticket 12: Star Trek Generations

The Pitch: Star Trek meets Star Trek
Influence: Alien vs. Predator, Freddy vs. Jason
Price of Admission: $3.50
When: November 25th, 1994 at 4:20 pm
My Age: 13
Quote: Who am I to argue with the captain of the Enterprise? - Capt. Kirk

The passing of the torch. The original Star Trekkers hand over the movie sequel reigns to the Next Generation crew. This is the 4th and final Star Trek film I actually saw in the theaters. The first of which was Star Trek IV back when I was just 5 years old. (I liked the part where Spock gave a New York thug blasting his boombox the Vulcan neck pinch.) I was also a fairly regular watcher of The Next Generation TV show.

The Star Trek vs. Star Wars debate reminds me of how I used to debate The Rolling Stones vs. Aerosmith. The Stones and Star Wars are unanimously the better of their counterparts. But Aerosmith and Star Trek have this strange knack of going in and out of style over the course of many years. JJ Abrams is rebooting the Star Trek franchise with Simon Pegg as Scotty. Sidenote: I've never heard Mick Jagger actually acknowledge Aerosmith or Steven Tyler other than saying to the mother of Liv Tyler's mom, "What do you want with the fake Mick when you've got the real one?"


Synopsis: Capt. Kirk is on the maiden voyage of the Enterprise, but gets called in for one last job. As he's getting too old for this shit, he messes up and gets cast into an energy ribbon and maybe dies. Flash forward to decades later as The Next Generation Malcolm McDowell is obsessed with finding the Nexus, which wraps you up in happiness. He wants to destroy an entire solar system in hopes of steering the Nexus back towards him. Capt. Picard finds Capt. Kirk in this net of happiness. Kirk dies trying to save Picard.

Up next: It's the last film of 1994 and we finally land on the moon.

Ticket 11: Interview With The Vampire: The Vampire Chronicles


The Pitch: Nosferatu meets Top Gun meets The Crying Game
Influence: Vampire In Brooklyn, Blade, Buffy The Vampire Slayer, Brokeback Mountain
Price Of Admission: $3.50
When: November 19th, 1994 at 4:20pm
My Age: 13
Quote: No one could resist me. Not even you, Louis - Lestat.

My sister and I saw this vampire flick after my little brother's 4-year-old birthday party at McDonald's. Which means nothing, other than to place the context of my Grimace mindset upon viewing Interview...
The cast is probably the most intriguing thing about this movie. You got a young buck Brad Pitt, a Christian Slater on the trailing end of his prime, a Kirsten Dunst debut, a post-Philadelphia pre-Desperado Antonio Banderas, and of course a Tom Cruise. River Phoenix was originally cast as the interviewer, but was replaced by Slater after Phoenix OD'ed in front of Johnny Depp's Viper Room. Incidentally, Depp was up for the role of Lestat taken by Cruise.

Synopsis: Had to read the Wikipedia plot entry for this one and, well, I'm still not sure what goes on. So this is just what I remember. Brad Pitt owns a New Orleans plantation. Tom Cruise bites him and makes him part-vampire. Apparently, you're not a full vampire until you bite someone else yourself. So, Pitt survives on a diet of sewer rats. Cruise bites Kirsten Dunst and makes her a vampire. Pitt and Dunst have a tiff with Cruise and somehow sneak away to Paris. Pitt meets up with Antonio "Corazon Throb" Banderas. Vampires turn on Dunst and Pitt. Dunst gets exposed to sunlight and disintegrates. Pitt goes to California and meets up with Christian Slater to do an article for the newspaper. Slater goes driving in his convertible and Cruise lands on his car. And then this happens:
I can't write about this movie and not mention the pairing of Brad Pitt and Tom Cruise. Brad Pitt has that air of confidence and youth that ultimately brings to mind James Dean. Tom Cruise in his youth was the closest thing the 80s had to a Paul Newman. However, the Newman in The Hustler and the Cruise in The Color of Money are two very separate entities. It was the 80s after all. I watched East of Eden a couple of days ago and found this gem. Jimmy Dean and Newman's Own slathering so much charisma, machismo, switchblades and undeniable homoeroticism into one quick little screen test. Classic.


Up next: Imagine Lando Calrissian and Qui-Gon Jinn inhabiting the same Star Wars universe except substitute Captain Kirk and Captain Picard.

Ticket 10: The Santa Clause

The Pitch: Kramer vs. Kramer meets Ernest Saves Christmas
Influence: The Nutty Professor, Evan Almighty
Price of Admission: $3.50
When: November 11, 1994 at 5pm
My Age: 13
Quote: It's Santa! You killed him! - Charlie

Checking IMDb, it seems I saw this holiday shill on opening day. I remember being a fan of Home Improvement at the time. Especially all the sight gags featuring only a portion of neighbor Earl's face. They must have milked that joke from the udders of the Mayfield dairy farm.

Synopsis: Tim Allen's in one of those divorce - fighting for custody - never have time for your kid plot lines. He gets stuck with the kid on Christmas. Somehow he startles Santa on the roof and kills him. He is kidnapped and taken to the North Pole where he is given a contract. The fine print has a clause(get it? not Santa, but as in the legal stipulation. someone based an entire script on a pun. which is awesome.) saying he must become the new Santa Claus. For the next year he goes through a kind of St. Nick puberty. His chin drops. His voice becomes jolly. He notices a change in the girth of his, um, belly. Meanwhile, his wife is in cahoots with Judge Reinhold. I think there was some ensuing of hijinx. And Christmas gets saved.

The most vivid memory I have about seeing this movie is that I went over to my friend's house afterward and played Earthworm Jim on the Sega Genesis for the first time.
Up next: It gets sunny and Dunst turns to dust.

Ticket 9: The River Wild


The Pitch: Deliverance meets The Great Outdoors
Influence: Without A Paddle
Price of Admission: $3.50
When: October 1, 1994 at 4:20 pm
My Age: 13
Quote: I am a nice guy. Just a different kind of nice guy. - Kevin Bacon

The movie's tagline was The vacation is over. Personally, I would have gone with Streep goes not so Meryl-y down the stream. This fun little action thriller came from Curtis Hanson, the director of L.A. Confidential, Wonder Boys, and, um, 8 Mile. Besides Streep and Bacon, it co-starred some great character actors like John C. Reilly, (John Sayles' regular) David Strathairn, and the kid from the Jurassic Park movies.

Synopsis: Streep takes her son and work-obsessed, family neglecting husband Strathairn on a little white water rafting trip. On the river they meet Bacon and Reilly, who seem like nice enough fellas. They're not. Bacon spies on Streep bathing in the buff. They soon kidnap Streep and her boy to take them down the river so they can make off with the loot they stole. Only problem is they have to take The Gauntlet. This is no Real World/Road Rules challenge. It's a category 5+, which is some rough rapids and then some. Strathairn is apparently an Eagle Scout and helps save the day. Streep flips the raft. She flips it for real.

Here's a scene which shows some pretty heavy foreshadowing:
Up next: Reinhold judges jolly ol' St. Nick

Ticket 8: Forrest Gump

The Pitch: Charly meets Rain Man meets Zelig meets Slaughterhouse Five
Influence: The Other Sister, creepy Orville Deadenbacker listening to an iPod in a commercial
Price of Admission: $3.50
When: August 1, 1994 at 1 pm
My Age: 13
Quote: I believe he said he had to go pee. Heh heh. - John F. Kennedy

Trite baby boomer propaganda serving as nostalgia aside. I've always had a theory that this movie/book (I haven't read it) is based on Bob Dylan's comeback song "Tangled Up In Blue." There are many parallels and I say this forum is good as any to proselytize my theory of Tangled Up In Gump. 
First off, the synopsis: Halfwit encounters every major baby boomer historical event from Elvis to AIDS. 
Now the Tangled Up In Gump theory. Dylan said this about the song in 1978:
What's different about it is that there's a code in the lyrics, and there's also no sense of time. There's no respect for it. You've got yesterday, today and tomorrow all in the same room, and there's very little you can't imagine not happening.

Forrest Gump is also built on the scheme of the "yesterday, today and tomorrow all in the same room." As Forrest has been present at pretty much every singular event in the latter half of the 20th century, I wonder what adventures he would've been part of in the late 90's and the aughts? Would he have been trading college football stories with Al Cowlings when a flustered friend named Orenthal came running up asking for a ride? Or perhaps dole out fashion advice to a then frontwards-wearing red ball cap Freddy Durst. Maybe while nightswimming with the dolphins in Miami he helped guide a lost raft to shore carrying a young Elian Gonzales. Forrest most definitely would have his passe Hanks hair updated by the Fab 5 of Queer Eye.

But back to my Dylan/Gump theory. Here are a couple of examples straight from the lyrics and how they relate to the movie. [Note: Dylan lyrics are in italics.]
*Workin' for a while on a fishin' boat
-Forrest was a shrimp boat captain for Bubba Gump.
*She was workin' in a topless place
-Gump's childhood friend, Jenny, had a gig playing guitar topless. In this scene she even plays Bob Dylan's Blowin' in the Wind.

The whole mood of the song deals with this girl who comes in and out of this guy's life as he drifts from the Great North Woods to New Orleans to Montague Street. Forrest is a drifter and encounters Jenny periodically throughout his life. Dylan was the voice of the baby boomer generation. Which makes Forrest the catalyst of the baby boomer generation. 

(By the way, can you think of a more tragic death scene than this almost was? Being coked up enough to actually believe you were a free bird, ugh.)
Up next: Meryl, forget the dingo. Watch out for the Bacon.

Ticket 7: Blown Away

The Pitch: Patriot Games meets Far and Away meets the Anarchist's Cookbook
Influence: The Devil's Own, Goodwill Hunting, Arlington Road, S.W.A.T., The Departed
Price of Admission: $3.50
When: July 6, 1994 at 4:30 pm
My Age: 13
Quote:  I've come to create a new country called chaos, and a new government called anarchy. - Tommy Lee McJones

Unfortunately, this is not the softcore Blown Away starring the two Coreys and Nicole Eggert from Charles in Charge and Baywatch. Which, I did see part of in the mid-90s sometime, probably on HBO or Cinemax. This was Corey Haim's followup to a movie I almost forgot about called Prayer of the Rollerboys. Which is the coolest movie title about small wheel-based transportation since Gleaming the Cube. 
But enough Corey diversion. Back to the Blown Away at hand. 

Synopsis: Jeff Bridges is a bomb squad expert living in that Irish Only area called Boston. His real-life pops Lloyd plays the Untouchables Sean Connery mentor to his Kevin Costner. Lebowski is leading a double life as an ex-I.R.A. bomber. His old Irish bomber buddy, Tommy Lee Jones, has decided to terrorize him and Boston with a series of MacGyver(Scottish?) bombs. Obligatory U2 song. Tense Speed-like thecarwillblowupifyoubrake ending, cued up to a 4th of July performance by the Boston Pops.

To keep the Emilio-ness of the past ticket stubs, this movie was directed by the guy who directed Judgement Night. 

Up next: Baby boomer propaganda

Ticket 6: Maverick


The Pitch: California Split meets Lethal Weapon
Price of Admission: $3.50
When: May 28, 1994 at 1:15 pm
My Age: 13
Quote: I'm gettin' too old for this shit. - Danny Glover

The blockbuster Mel made right after his "I'm a real actor, not just People's 1st Sexiest Man Alive" role in The Man Without a Face. This disfigured role would be repeated by such sexy stalwarts as Tom Cruise in Vanilla Sky, Sylvester Stallone in Copland, Charlize Theron in Monster, and to less sexier account, Kevin Spacey in Pay It Forward. 

Maverick was an enjoyable summer trifle of a movie. Jodie Foster tries her hardest to pull off a sexy, come-hither poker playing sexpot to some degree of unsexy success ("Tayyy in da wiiind.") James Garner plays the old salt deputy that gits in the gander of Mel's schemes.

Synopsis: Mel has to collect enough money to play in a riverboat poker tourney. Jodie is a thief. Garner is the marshal. Mel and Garner take baths next to each other. Jodie says they have a lot in common. The two peak at each other's mavericks. 

Up next: Irish Car Bombs that don't include Bailey's and a hangover.

Ticket 4: Nat'l Lampoon's Loaded Weapon 1


The Pitch: Lethal Weapon 2 meets Hot Shots! meets Men at Work
Price of Admission: $3.25
When: February 15, 1993 at 1:20 pm
My Age: 12
Quote: Suicide, huh? She must have caught herself by surprise. - Samuel L. Jackson

I just thought of a great band name. Here's how we'd open the show, "Hello Toledo, we're the Early Nineties Emilios." This would be followed by me inquiring, "Golf clap?" And then the audience would respond with a restrained, "Golf clap." Which would then give way to a mighty chorus of "quack, quack, quack, quack..." as we kicked into our obligatory song off the new album

Early 90's Emilio is my favorite era of Emilio. Young Guns II, Mighty Ducks, and Loaded Weapon 1 are some great movies to see at 12 years old. You got your Western genre piece. Your sports underdog story. And your guy's guy action movie parody. So pretty much a doomed loner who's not that good of an athlete who sits in the corner and mocks the jocks. Just your average 12 year old. 

Other Emilio eras are his early cult period where he co-starred in flicks like Tex, The Outsiders, Maximum Overdrive and the definitive cult classic Repo Man. There was his Brat Pack phase which included The Breakfast Club, St. Elmo's Fire, and the first Young Guns. His newest era seems to be as a neo-Robert Altman with his recent directed piece Bobby and his in-production movie The Public.

I haven't seen Loaded Weapon 1 in quite some time, but my memories of it are that it was one of the better parody movies. Along with the Hot Shots! movies and Robin Hood: Men in Tights, it was part of that early 90's joke-a-minute making fun of movies that actually had more hits than misses. Since then, we've been inundated with the lazy Scary Movie and Epic Movie/Meet the Spartans franchises that think mimicking some famous movie scene verbatim with shitty actors constitutes hilarity. Where's the twist? Shaun of the Dead and Hot Fuzz have thankfully breathed new life into the genre parody pic.

Loaded Weapon 1 borrowed heavily from the Lethal Weapon plots. The synopsis: End-of-his-rope cop , Emilio, is teamed up with by-the-book cop, Samuel L. After Samuel L.'s main squeeze (Whoopi fucking Goldberg) turns up dead, the partners trace it down to an illegal Girl Scout cookie drug operation.
They encounter the femme fatale. First played by the awkward, pipsqueaky secretary from TV's Moonlighting, she luckily puts her hair down and magically transforms into the beautiful Kathy Ireland.) The Sports Illustrated cover model was tops in my budding adolescence. I even went so far as to have her poster up in my room, albeit hidden under a corny poster of egg puns.) The cops take in Jon Lovitz as their version of Pesci's Leo Getz. There's a money laundering joke, where money is actually in a washing machine. Finally, it's uncovered that General Morters, as played by William Shatner, is the ringleader behind this operation. Big action brouhaha and it ends.

There are some nice cameos by Bruce Willis revisiting his John McClane role as the target of mistaken helicopter attack at his beach trailer. Emilio's bro, Charlie Sheen, shows up as a valet who gets car bombed seconds later. Scotty from Star Trek, Ken Ober the host of MTV's Remote Conrol, Corey Feldman, and the two guys from CHiPs. Best of all, though, is the guy who played Proctor in the Police Academy movies, playing a cop who uses Head & Shoulders at the station. (It's tingling. That means it's working.) Incidentally, the director of this movie also directed my two favorite Police Academy movies, PA 3 & 4. Sadly, Tackleberry doesn't make an appearance.


I had a friend that every time we played multi-player Mario Kart tournaments would trash talk in bad cliches. Looking through some of the memorable quotes off of IMDb, this exchange between Shatner and Denis Leary resonated with me. 

Gen. Morters: Where's the microfilm, Mike? 
Mike McCracken: I don't know, I gave it to York. I thought she was one of your men. 
Gen. Morters: Act in haste, repent in leisure. 
Mike McCracken: But he who hesitates is lost. 
Gen. Morters: Never judge a book by its cover. 
Mike McCracken: What you see is what you get. 
Gen. Morters: Loose lips, sink ships... 
Mike McCracken: Life is very short, and there's no time for fussing or fighting, my friend. 
[
Gen. Morters, cornered, looks to Mr. Jigsaw
Mike McCracken: [Mr. Jigsaw consults Bartlett's Familiar Quotations, shakes his head
Gen. Morters: Sorry Mike, no good. 

Up Next: There are no poker tells when you're playing against the Man Without a Face. 

Ticket 5: Rookie of the Year


The Pitch: Happy Gilmore meets Doogie Howser M.D. meets Almost Famous
Price of Admission: $3.25
When: July 17, 1993 @ 1:20 pm
My Age: 12
Quote: [once taken out of the cast, Henry's arm snaps around and hits Dr. Kersten in the noseDr. Kersten: [muffled, with hands over his face] Funky, buttloving...! 

Baseball movies tailored to kids, what a genre. It's produced some true gems and a lot more duds. The gems: The Bad News Bears (original version), Sandlot, and Mr. Baseball. The duds: Angels in the Outfield, Little Big League, The Bad News Bears sequels and remake, and The Kid from Left Field. In a league by itself are the Air Bud movies that have the greatest of all post-colon-pun titles: Golden Receiver and Seventh Inning Fetch. 

Here we have Rookie of the Year. A very watchable movie at the age of 12, though I haven't seen it since. This came at the peak of my baseball-phase. I collected lots of baseball cards, mostly Topps(ex-Disney guru Michael Eisner has just bought up the Topps franchise and is going to try and turn it into another rape-my-childhood entrepreneurial endeavor), Donruss and Score were for the rich kids. 

Most of all, though, I was an avid New York Mets fan. The 80's and early 90's Mets had the greatest roster of baseball teamsters and/or coke fiends. In order of favorites: Dwight "Dr. K" Gooden, Daryl Strawberry, Keith Hernandez, Gary Carter, HoJo, Lenny Dykstra, Kevin McReynolds, Ron Darling, David Cone, Mookie Wilson, Wally Backman and Gregg Jefferies. I loved me some Mets, but hated me some Atlanta Braves and Chicago Cubs. Growing up in the south, these two NL East teams plagued my Saved By the Bell after school schedule. There was nothing better than getting home from school and settling down with a half-pack of Ritz crackers, a caffeine-free Pepsi and some SBtB. But there were many times I'd have to deal with the likes of Dale Murphy and Harry Carey interrupting Zach sneaking into The Attic to air their buzzkill daygames on TBS and WGN. (Consequentially, these channels have subjected me to the 588-2300 Empire commercials, the catchiest of all ad jingles).

And then Little League happened. I was on the baseball team called the General Shale Generals. We were coached by my future high school physics and chemistry teachers (you'd think we'd of mastered the science of the game, or at least how to make a bat out of balsa wood). 
(Not me)
My first year we placed second-to-last, beating the last-to-last place team the Hit Men. My second and last year we finished completely last. The Generals was an apt name as the Washington Generals were the losingest team in all of sports, being their main opponents the Harlem Globetrotters. Being a subpar player on a shitpoor team will kill anyone's baseball spirits, so I've pretty much faded away from it except for World Series or steroid finger-wagging.

But I did have Rookie of the Year. A cinematic escape into a regular kid succeeding not by actual talent, but by a freak anomaly of a broken-arm-rehealed-into-a-sonic-pitcher's-arm. I remember facing now-NFL player Aubrayo Franklin at the plate. He lined up for the pitch. The pitch sailed by as I teetered all the way back to the edge of the on-deck batter's box in cowardace. I'd have killed to have broken my arm to get a sonic arm, or at least an excuse not to be on the suckiest team in all of Little League.
 
Synopsis of Rookie of the Year: Kid from American Pie breaks his arm and can pitch like a pie-fucker. He gets hired by the Chicago Cubs and is subjected to Gary Busey as a mentor. Has to deal with mommy. All directed by the guy who voiced the narration of Kevin Arnold on The Wonder Years, Daniel Stern.

Next Up: Proctor from The Police Academy movies parodies the Head and Shoulders shampoo ads.

Ticket 3: Batman Returns



The Pitch: Jaws II meets Good Will Hunting II: Hunting Season
Price of Admission: $2.50
When: June 20, 1992 at 1 pm
My Age: 11
Quote: Security? Who let Vicki Vale into the Batcave? I'm sitting there working; I turn around, there she is. "Oh hi, Vick - come on in." - Bruce Wayne

Villain overload buried in the Burton-esque pastel shades of gray. Batman Returns raises the question of how much is one Jack Nicholson worth. The answer: not Michelle Pheiffer, Danny DeVito, and Christopher Walken combined. Clearly, they went Quant over Qual in this movie. Three villains and not one emerges as the main antagonist. Tsk-tsk, my high school English teacher would say.

Synopsis: Pee-Wee Herman tosses out a baby. It becomes Danny DeVito (The Penguin). Christopher Walken tosses out a Michelle Pheiffer. She becomes Catwoman. The screenwriter of Hudson Hawk tosses out a shitty script. It becomes Batman Returns. 
This is a nice experiment in phoning it in. One can see Tim Burton as Gus Van Sant in the movie-within-a-movie Goodwill Hunting II: Hunting Season of Jay &  Silent Bob Strike Back. Just sitting there, off to the side in his director's chair, counting all the money he's just raked in saying, "Alright just shoot it and slather my trademark art direction and set design all over it and we'll call it a day." (A constant stance he'll take on the many of his films that do not start with Pee-, Bee-, or Ed- over the rest of his career.) All I can say is, "applesauce, bitch."

Next Up: The guy from American Pie has a jerky elbow.

Ticket 2: The Addams Family



The Pitch: The Royal Tennenbaums meets
Tim Burton's art direction
Price of Admission: $2.50
When: 11/22/91 at 1:50 pm
My Age: 10
Quote: Are they made from real Girl Scouts?
- Wednesday Addams

In my imaginary version of what a Hollywood producer would pitch The Addams Family as, I said The Royal Tennenbaums by way of Tim Burton's art direction. Both the Tennenbaums and the Addams are among the dysfunctionalist of families. Both movies star Angelica Huston as the matriarch holding each family together, for better or worse. Both feature relatives trying to con their way back into the good graces of the family. In this case, Gene Hackman using fake cancer to live out his "last days" and woo back Huston from Danny Glover. While, Christopher Lloyd uses his likeness to the long lost Uncle Fester as a way into stealing the family's fortune. Both are also overly art directed to great success.

My hazy synopsis of The Addams Family: Capitol punishment death jokes can be popcorn fun for the whole family. You can be Goth without listening to Bauhaus or The Cure. Christopher Lloyd looks better in a fright wig (Doc Brown) than in fright bald (Uncle Fester). Uncle Fester really is Uncle Fester!!!

This movie marks my first encounter with Christina Ricci. As a child actor, she was miles away from the aw shucks-isms of the Macaulay Culkins and Jodi Sweetins of that era. We weren't seeing Ricci play Wednesday Addams, but more like Wednesday was playing Christina Ricci. Whereas casting Sophia Coppola in The Godfather III a year before was a huge miscalculation, casting Ricci as Wednesday was perfect. Her pale skin, widow's peak, and soulless puppy dog eyes made for a role that will always typify her regardless of how many radiators she's chained to or Woody Allen/Jason Biggs romps she Keaton-Farrow's her way through. Enigmatic illustrator Gary Baseman has made a career influenced largely by Ricci's likeness.
The Addams Family soundtrack featured MC Hammer in his last forays of hip hop stardom before gangsta rap rendered his pop stylings moot. Weighted with both the classic 2 Legit 2 Quit and the specially-made for the movie The Addams Groove, the public was treated to rollicking songs of legitimacy and a remixed, repetitive TV theme song. In the late 90s I bought a CD from Circuit City that bared both these tracks. It was called Back 2 Back Hits and was a greatest hits collection of MC Hammer and Vanilla Ice. It was glorious.

As both Ice and Hammer's careers were pretty much over, both staged a revamp of their image to hilarious results in 1994. Vanilla grew dreadlocks and copped a faux-Cypress Hill pot/rapper image singing the catchy Roll 'Em Up.
MC Hammer dropped the MC title, dialed up his bud Neon Deion Sanders, and donned a banana hammock for a video that proved 2 be 2 hot for MTV. Here's your Oakland A's former batboy in all his glory. Pumps and a Bump indeed.

Up Next: Pee-Wee Herman Dumps A Baby In The Sewer

Ticket 1: Terminator 2: Judgement Day


The Pitch: RoboCop meets Gleaming the Cube
Price of Admission: $3.00
When: July 5, 1991 at 4:45 pm
My Age: 10
Quote: Did you call moi a dipshit? - John Connor

T2 - my oldest ticket stub. I remember that summer playing Terminator around my neighborhood. I wore sunglasses (with mirrors on the sides courtesy of Raisin Bran), a shiny silver pleather jacket, and tucked my hand into my coat while holding a strange kitchen utensil as my mechanical Terminator arm. In the midst of my latency/autonomy stage, my buddy and I would venture around the neighborhood to escape my parents' supervision. He hadn't seen the movie, so unfortunately, he didn't dress the part or walk down the street like a robot. Thus, putting the task of being completely awesome all on this 10-year-old cyborg's pleather shoulders.

T2 had it all: Witty, hard-ass one-liners, breakthrough SFX, the fat guy on the motorcycle Arnold stunt double, and dutifully reclaiming Thorogood's Bad to the Bone from the Problem Child movies.

The brief synopsis of T2. Arnold's butt. Robert Patrick's butt. Sarah Connor pull-ups then face-licking. John's stepdad milk carton stabbing. Dyson's creepy last breaths. Judgement Day postponed for a later sequel.

The movie predicted August 29th, 1997 to be Judgement Day, when the robots would take over and bring about the apocalypse. In hindsight, the summer of 1997 wasn't marked by Skynet's cyborg assault, but rather by the fitter, happier ok computers of Radiohead. 

The character of John Connor is fast becoming the Rusty Griswold of sci-fi cinema. Christian Bale has been announced to be JC in the next installment, some no-name takes on John in Fox's sure to be short-lived The Sarah Connor Chronicles, Nick Stahl played him in T3, but I think Eddie Furlong will always be the best Connor. His puberty shrieks. His friendship with Budnick of Salute Your Shorts and a boobless Nikki Cox. His ATM hacking skills. His mastery of the Spanish language.
The Complete Rusty Griswolds and John Connors

In compiling this collage of Rustys and Johns, I discovered that the Rusty Griswold from Christmas Vacation (top, 2nd from right) is Darlene from Roseanne's boyfriend, David. Incidentally, he sat two rows in front of me at a screening of Stanley Kubrick's Barry Lyndon back in May of 2007. I just thought that's the dude from Roseanne. Now he's the dude from Roseanne and Rusty Griswold.

Robert Patrick's portrayal of the T-1000 shows how a one-note performance can be quite  frightening. One can almost imagine Javier Bardem studying Patrick's soulless, determined portrayal while prepping the role of Chigurh for No Country for Old Men.

T2 also has the distinction of having one of my favorite Guns 'n Roses songs and subsequent music video tie-ins. You Could Be Mine is what cyborg testosterone would sound like. The video has Arnold hunting GnR through, where else, but a seedy Sunset Strip club. As he catches up with them in the club's back alley his assessment of terminating W. Axl Rose is that it would be a waste of ammo. Somehow, he sensed the rearranged letters of ORAL SEX would not pose a threat to the Connors or any Chinese Democrats. 

Up Next: Too Legit for Cousin Itt.